The time you have to see this work / Braunschweig (2025)
5. waxing moon 6. full moon (fog moon) 7. waning moon 1. waning crescent
hammered zinc sheet, partially sandblasted
each 19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
2. New moon 3. Waxing crescent 4. First quarter
hammered zinc sheet, partially sandblasted
each 19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
5. waxing moon 6. full moon (fog moon) 7. waning moon 1. waning crescent
hammered zinc sheet, partially sandblasted
each 19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
5. waxing moon 6. full moon (fog moon) 7. waning moon 1. waning crescent
hammered zinc sheet, partially sandblasted
each 19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
2. New moon
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
3. waxing crescent
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
6. Full moon (fog moon) 7. Waning moon 1. Waning crescent
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
6. Full moon (fog moon)
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
6. Full moon (fog moon) 7. Waning moon 1. Waning crescent
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The time you have to see this work / Braunschweig (2025)
6. Full moon (fog moon)
hammered zinc sheet, partially sandblasted
19 cm in diameter
Kunstverein Braunschweig 2025
The work was developed as part of the 2025 Master Students‘ Exhibition for the Kunstverein Braunschweig and deals with the circular perception of time. Seven hammered zinc sheet discs represent the phases of the moon that the exhibition went through from October 18 to November 9, 2025. They are distributed throughout the unlit room and thus reflect only the natural light and the light coming in from the neighboring rooms. The sandblasted surfaces represent the part of the moon that remains hidden from us. The work deals with visibility and invisibility and addresses the limits of our perception. It also invites visitors to linger in the room for a longer period of time, to observe the change in lightand thus the passage of time, or to return
under different lighting conditions. In addition to exploring time, light, and space, the color value of the silvery, shiny material is
also significant: gold and silver had primarily symbolic value for the Quechua. Gold represented the sun and silver the moon.
under different lighting conditions. In addition to exploring time, light, and space, the color value of the silvery, shiny material is
also significant: gold and silver had primarily symbolic value for the Quechua. Gold represented the sun and silver the moon.