die banane am falschen ende aufmachen (2025)
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
die banane am falschen ende aufmachen (2025)
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
die banane am falschen ende aufmachen (2025)
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
die banane am falschen ende aufmachen (2025)
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
die banane am falschen ende aufmachen (2025)
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
die banane am falschen ende aufmachen
Chiquita, rice paper/digital printing on Biotop 3, round/staple binding
14,5 × 20 cm
in: Klasse Natalie Czech, Erweiterte Fotografie, Medien & Poetik,
Rundgang 2025, HBK Braunschweig
The visual poem humorously questions evaluation systems. It is based on a situation in which the question arose as to why I
would peel my banana from the wrong end. The work takes this question to absurd extremes in order to ask the question itself: Which is supposed to be the right side and which is the wrong side, who defines this, and why is it important at all?
would peel my banana from the wrong end. The work takes this question to absurd extremes in order to ask the question itself: Which is supposed to be the right side and which is the wrong side, who defines this, and why is it important at all?